Pre-Spanish Philippines

Philippine literature in Spanish Period. Spanish occupied Philippinesin early 15th  century. The First Filipino alphabet is Alibata – when Spanish colonized Philippinesthey changed alibatas into Roman alphabet. Spanish banned the used of Alibata because they believed that it is a work of evil. So Spanish fully introduced the Spanish literary language using many Spanish terms. The European literature was brought by the Spaniards and are assimilated in Filipino song and indigeneous themes.The early printing press in the Philippine is run and monopolized by the Spaniards friars. Spanish colonial period literary genres consist of Pasyon Cenaculo Tibag Carillo – shadow play Political essay Comedia Zarzuela Spanish revolutionary Papers El Heraldo de la revolusion La Republica Filipina La independencia La libertad La revolution During Spanish colonization Filipinos felt that they being harrashed by the Spaniards.Then the Birth of the Propaganda movement and la Solidaridad. T hen Filipino fought and introduce tagalong to be the language of revolution of the nationalist movement. Filipino Spanish literature Pedro Bukakeng – Lam ang Tomas Pinpin ( librong pa aaralan ng mga tagalong ng wikang kastilla ,1610 Gaspar Aquino de Belen   – Ang mahal na pasyon ni Jesus, Christong panginoon natin 1704 Pedro Paterno – Sampaguita, Ninay Dr.Jose Rizal – Noli me Tangere, El Filibusterismo, Mi Ultimo Adios Marcelo Del Pilar – Pag ibig sa tinubuang Lupa, Dasalan at tocsohan, kaiingat kayo Graciano Lopez Jaena – Fray Botod Franscico Baltazar – Florante at Laura Fr. Modesto de Castro – Urbanaat Feliza Emilio Jacinto – Liwanag sa Dilim Jose Palma – Himmo Nacional Filipino, De mi jardin Jose De la Cruz – Ibong Adarna Magdalena Jalandoni – Ang guitara, si Anabella, Ang mga tunok sang isa ka bulak

Parametric and algorithmic design

Architecture is frequently practiced in a universe dominated by the many, the client or the public and in many instances merely understood by the few. Architecture has been comparatively unsuccessful at traveling frontward with the universe frequently neglecting to associate and pass on with cultural displacements, altering ways of life and the promotion of engineering. Where other design related patterns such as the automotive industry have blossomed, rhenium seeded, re adult and regenerated with displacements in the manner people live and the engineering of the present, architecture seems to hold floundered. As a consequence designers presently work in an environment using century old engineerings, with a client market which avoids hazards to personal addition at all cost and a populace which frequently still sees the president seen in architectural history as the really signifier of a relevant architectural hereafter. The multitudes seem bewildered by the possibilities presented b y the possibilities of the present. Even fellow practicians and faculty members within the architectural subject would look to be somewhat taken aback by the possibilities now available to us. Not merely on a technological degree, but the impact that these new techniques moms have on the very rudimentss of architectural theory and signifier. This brings me to my inquiry†¦ †¦ Parametric and Algorithmic Design: Fake Forms or a Relevant Architecture? Computer aided design changed many design orientated professions such as the automotive and aeronautical industries as far back as the 1980 ‘s when they were foremost decently developed. A digital revolution if you will. Compare this to architecture where production and design still utilize techniques, theory and cognition developed during the industrial revolution. Although the bulk, if non all designers do utilize some signifier of computing machine aided design techniques the boundaries can still be pushed farther. Procedures such as BIM ( constructing information modeling ) are get downing to go a existent force in architectural design in topographic points such as the USA. BIM is a procedure where the designer does non merely pull a line as with traditional pulling techniques or with plans such as AutoCAD ( which to an extent, is merely a digital version of a traditional drawing ) but alternatively when an designer draws a line, he draws a wall, with the possibility to uni te this information with a illimitable choice of belongingss be they size, cost, structural or how they relate to other members in a design. BIM begins to manus back the rubric of â€Å" Master Craftsman † to the designer, where the designer can see how design develops as a whole and do alterations consequently. Parametric and algorithmic architectures are presently at the head of the BIM architectural thought, they are the merchandises of the few created utilizing advanced computing machine scripting techniques and separately written pieces of package. Using the latest design engineerings available to us, uniting this with the modern stuffs and production techniques frequently developed in Fieldss which have embraced the digital revolution more openly, parametric and algorithmic design can get down to dispute cultural, technological and historical boundaries which designers have possibly failed to to the full dispute in the recent yesteryear. Parametric design is a procedure based non n fixed metric measures such as traditional design but alternatively, based a consistent web of relationships between single objects, the bricks are different but they are connected with the same bond. This allows alterations to a individual component whilst working with other constituents within a system. In a similar manner to that of parametric design, developments in scripting have allowed for algorithmic design processes to progress. These allow complex signifiers to be grown from simple methods while continuing specific qualities. In the most basic sense, a user defines a set of regulations, and the package would set up the signifier harmonizing to the regulations. If parametric design is a method for control and use of design elements within a web of any graduated table, algorithmic design is a system and objects bring forthing complex signifier based on simple constituent regulations. With the combination of these methods, rules, modern production techniques and stuffs parametric and algorithmic architectures have the possible to force architecture, beyond uncertainty into the twenty-first century. Age old architectural jobs and theory such as â€Å" signifier vs. stuff † and â€Å" signifier vs. map † can get down to be solved in new ways, building times can be reduced, stuffs can be managed more expeditiously, and edifice qualities can be improved significantly. In the analysis and comparing of two undertakings using parametric and algorithmic architectural design rules, I aim to to the full understand how relevant these signifiers and methods of bring forthing architecture truly are when compared to their traditional opposite numbers. I have selected my illustrations from opposite terminals of the architectural graduated table size wise, but from a similar household of traditional public architectural type signifier, analyzing how relevant the parametric signifiers are in relation to different state of affairss and scenes. My first probe, looks at a impermanent theater located within the site of Corbusier ‘s Carpenter Centre – A coaction between architecture Firm MOS studios and creative person Pierre Huyghe, selected for its truly alone location and it ‘s modern-day drama on the more traditional theater / marquee / outdoor stage signifier. Theaters are traditionally really expansive edifices, for 1000s of old ages they have been portion of human civilization with signifiers as far back as antediluvian Greece still found in theatre design. This coupled with its set base / park marquee like size associated with formal marquees form around the Victorian age made the undertaking peculiarly interesting. The challenge for MOS studios was to bring forth a return on the theater whilst responding suitably to its location in what is an highly outstanding topographic point. The design in basic signifier is similar to that of any regular theater with raked seating, unhampered screening and high-quality acoustics but it was with the usage of parametric procedures that a theater which corresponds to the single conditions of the site has been produced. The theatre sits in the underbelly of the Carpenter Centre by Le Corbusier, commissioned to mark the fortieth day of remembrance of the edifice. Corbusier ‘s Carpenter Centre is the Centre for the ocular humanistic disciplines at Harvard University, MA. Completed in 1942 the edifice is the lone edifice of all time completed by Corbusier in the United States of America and the last to be completed during his life clip although he ne'er really visited the edifice due to ill wellness. The edifice corresponds with Corbusier ‘s five points of architecture ( as seen in the Villa Savoye, France ) with interior elements such as the incline, a dominant characteristic, detonating out from the interior of th e edifice supplying an s – shaped walkway go oning into the environment. Curved dividers besides extend through the chief walls of the edifice in to the environing countries singing to and from the pilotis which back up them. This creates a series of permeating interior and exterior events running along the promenade incline. Within the design of the Carpenter Centre you can see the elements of undertakings crossing the full calling of Corbusier modified and adapted into this edifice. The marionette theatre itself, like Corbusier ‘s Carpenter Centre, was designed with a set of parametric quantities or architectural regulations if will. These parametric quantities were derived from a given brief and restrictions of the infinite created by the Carpenter Centre itself. To avoid damaging the Carpenter Centre no contact with either the ceiling or the edifices back uping structural systems was permitted. Therefore, suiting the marionette theater in between these of import structural barriers became cardinal. The designer has described the theater as â€Å" an organ placed in a new host † , it has a feel similar but non precisely that of a parasitic construction. Is seems non to be taking off, leaching from the Carpenter, but adding to it, giving it new life as though it truly is a new organ, a new bosom. This imagination is reinforced in the pick of stuffs for the theater, farther showing the feel of new life. The chief ego back uping construction is a poly carbonate, clad on the exterior with a moss. The moss adds heat and noise insularity, absorbing sound from the nearby street with sound quality being of paramount importance in practicality of a working theater. At dark visible radiation from within the theater glows through the light polycarbonate & A ; moss giving a green freshness, as if it truly is a new organ, a new hub from which life stems into the Carpenter Centre. The rounded signifier of the theater was produced though the parametric use of elongated diamond molded panel units, each one person in signifier, each one connected through the same set of parametric quantities. This parametric use was created through the restrictions of site, the demand for ego back uping structural unity, the usage and the limitations of fiction procedures during production. The ultimate signifier is hence created through a system of analysis where the most efficient signifier was deduced utilizing the parametric system. Most of the theater was prefabricated and assembled off site. The extended diamonds were designed to be produced from a individual level piece of polycarbonate understating both fabricating times and otiose stuffs. Each of the 500 pieces was CAM cut, before being folded into three dimensional signifiers with points drilled to link each of the diamond signifiers. The full construction could so be assembled by linking the panels utilizing simple too ls. The usage of simple manus tools meant that the theater could quickly be assembled and dissembled, suited to the impermanent nature of the construction, it was imperative that the construction could non merely be dissembled, but left no lasting hint of its building on the carpenter Centre. This once more was made possible through the usage of parametric design. Each panel is 3 † in deepness and spans over 15 † at the Centre ; they were stiffened with a froth insert to assist with rigidness with the combination of strategic panels being placed inside out, therefore moving as cardinal rocks. These strategic interior out anchor panels besides act as fanlights, leting visible radiation to go both in to and out of the theater. When assembled the panels dissipate forces around the tegument of the theater, making the ego back uping monocoque construction. The monocoque construction mean that mo lasting ingredients or structural supports had to be made with the Carpenter Cent re, hence the marionette theater became connected through its relevancy as a design but remained separate as a structural object. With the marionette theater sitting in a deep-set exterior courtyard underneath the Carpenter Centre, the alteration in degree of 1.25m between the street side and the courtyard had to be addressed, and so this became one of the cardinal parametric quantities in the design. This was overcome by integrating the 1.25m alteration in degree in to the raked theater seating, with the existent public presentation phase sitting at the lower degree of the courtyard. As you enter the marionette theater at street degree, the extended diamond signifiers combine with the alteration in tallness and about phantasmagoric size of the marionette theatre itself to making a ocular semblance, a false position. This invites the visitant into the theater with a sense of thaumaturgy and wonder, pulling the eyes towards the phase terminal where the parametric boundary lines of the diamond signifiers stop suddenly with the debut of the phase. The usage of this optical semblance helps to reenforce the sense of theater, a sense of thaumaturgy that I experience could be easy have been missed or overlooked with the usage of other stuffs or building techniques. You could maybe state that similar signifiers could hold been created in concrete or wood, but so the all of import drama of visible radiation created by the polycarbonate panels chosen would hold been missed. With the combination of stuff and parametric design â€Å" theater † is really incorporated into the design of the construction. The Glossy polycarbonate panels besides reflect light, making an ambient radiance visible radiation during public presentations, with the lone illuming coming from the marionette show itself, this transforms the theater into a glowing lantern at dark, projecting it ‘s energy onto the au naturel bare concrete surfaces of the Carpenter Centre. It seems to work good in a apposition between the hi-tech nature of the design and the connexion created with what is a really ancient signifier of amusement, connected by illuming which would look to pull you in a similar manner to that of a candle visible radiation. During the twenty-four hours the coefficient of reflection is reversed when the natural visible radiation brings the exterior milieus into the marionette theater, this focuses the attending on what is go oning in the outside universe, the walls about become the walls of an Aboriginal cave, stating the narratives of the exterior universe as they are go oning. This connexion to the outside universe through the coefficient of reflection of visible radiation is reinforced by the framing of a individual tree which sits beyond the entryway of the theater. It frames the position with some purpose whilst making a sense that the tree could perchance inquire as some barrier, a bound to the boundary of the theaters threshold. Through extended analysis and research this theater and its host edifice, the carpenter Centre I believe that this truly is a singular signifier, an first-class piece of design. The theater works with and replies to every one of its parametric challenges. Through the usage of parametric design I feel that a signifier has been created that would otherwise ne'er have been imagined or realised. The organic signifier of the theater, created utilizing really non organic production techniques replies to the brief on so many degrees. It creates this new bosom, new hub for the Carpenter Centre. It does non seek and mime the great modernist architecture used by Corbusier himself, but in no respect does it contend against it, it somehow moves in to an architecture beyond, with each single member of the theater being really geometric, but arranged in an intelligent manner, produce a signifier which is more organic. Neither structures the same but they do work together. The marionette theater de sign speaks of the Carpenter Centre today ; it speaks non of the architecture and the Carpenter Centre of the past, but the architecture, the people and the Carpenter Centre of the hereafter. The designers could hold chosen so many different attacks to bring forthing a marquee of kind on this site but I ‘m positive they would hold struggled to bring forth a design that overall worked more responsively with the entireness of the design challenge presented. The 2nd illustration of parametric architecture that I have analysed is the Mercedes Benz Museum, Un Studio, Stuttgart 2005 – with parametric and algorithmic working by Designtoproduction. This illustration of parametric design was selected non for its evidently parametric visual aspect but for the manner in which parametric modeling combined with BIM was used in the building and design of what can merely be seen as a truly radical edifice. Today the bulk of the universes exceeding historical, cultural and artistic pieces of are all in topographic point, the hereafter of the museum, as seen with this, the Mercedes Benz museum, lies with those who can to the full pass on a specializer aggregation, what they are about and where they came from. They have the capableness to excite a civilization much more than a generalist aggregation, the plants, the autos in the museum coud be seen to talk much more of the people that the bulk of today ‘s art. This is where the usage of pa rametric design can be seen to act upon and wholly pass on the work of Mercedes in a new manner. The importance of museum design has been at the head of architectural thought since Frank Lloyd Wright foremost challenged the program of the museum with the design of the Solomon R. Guggenheim Museum in New York, 1969. Since so museum has been challenged once more and once more by a battalion of designers such as Renzo Piano & A ; Richard Rodgers with The Pompidou Centre, Paris, 1977 and Daniel Libeskind with the Jewish Museum, Berlin, opened 2001. The Mercedes Benz Museum can be seen to associate to all of these illustrations in its chase to step frontward off from the regular, to dispute the infinites, circulation waies and signifiers of a museum, to make a museum of intent. The success of a museum depends upon the ingeniousness of its internal agreement, infinites created and its ability to exhibit artifacts within these infinites in a relevant manner. The museum will / has become ce lebrated non merely in the go oning line of disputing museum architecture get downing with edifices such as Frank Lloyd Wright ‘s Guggenheim in New York but for seting the digital design procedure steadfastly on the map. Stuttgart is place of the Mercedes Benz trade name, and so with the demand of a new museum, UN studios were chosen to redesign a new museum on a new site close to the chief gateway to the metropolis, where the old museum had antecedently been located in a dedicated edifice within the existent Mercedes mill. The design is based on a construct affecting the over laying of three round signifiers in program with the remotion of the cardinal infinite making a triangular shaped constructing tallness atrium country. In subdivision the edifice raises over eight floors in a dual spiral signifier, maximizing infinite and supplying 16,500 square metres of functional infinite on a comparatively little footmark. Originally the brief brought to UN studio suggested that the edifice should be no more than two floors high with concerns that any more tallness in the edifice may do complications with exhibits, for illustration the manoeuvring and exhibiting of lorries, circulation jobs around such big pieces and structural unity of the edifice with highly heavy exhibit tonss. With the site being situated so near to a major expressway it was shortly suggested by UN studios that the edifice should be taller associating to the close state of affairs to the expressway, seeing that jobs such as circulation and weight of exhibits could be overcome with the correct cognition and attitude towards the undertaking. The circulation system used in the Mercedes Benz Museum s similar to that used in the pompidou Centre Paris, with the circulation running around the external frontage of the edifice. In a similar manner, the circulation can be seen to pull clear links with the incline like circulation of the Guggenheim New York. The chief difference with both of these edifices is that the Mercedes Benz museum has, through advanced building techniques combined with the usage of parametric modeling is able to convey the chief forces applied to the edifice to a structural nucleus through floor slab s instead than margin, hence to the full emancipating the frontage and program of the edifice. The visitant enters the edifice on the land floor where they are met by the huge graduated table of the unfastened atrium. This land floor is home to the general installations expected of a big museum ; response, gift store and coffeehouse but it is where the circuit begins that the signifier truly takes a leap forward. The museum is designed so the visitant is transported to the 8th and top floor of the edifice before working their manner down dual spiral signifier inclines on a circuit that would take about six hours to finish in entireness. Transportation system to the top floor is a jubilation in motion itself, the visitant is transported via a portal like lift with limited screening ; â€Å" flashes † of projected imagination are seen from the interior. Once at the top floor, two Tourss split from the get downing location each following one of the dual spiral inclines, each following a different side to Mercedes huge history. The two Tourss known as â€Å" Collection â⠂¬  and â€Å" Myth † vary in their exhibits with the â€Å" Collection † circuit being more of a historic timeline of Mercedes design and the â€Å" Myth † circuit taking more romantic, cultural return on Mercedes history, having some of the company ‘s greatest designs and autos antecedently owned by the likes of Ringo Starr. As a consequence the particular feel of the two Tourss h seen designed to change and accommodate to the assorted exhibitions tremendously. The â€Å" Collection † circuit is flooded with natural, true illuming whilst the â€Å" Myth † circuit is illuminated in a much more theatrical manner, miming the love affair and glorification associated with its exhibits. The tour waies do traverse at assorted points through the vertical of the infinite, leting the visitant to pick and take between the two Tourss. The eight degrees of the edifice are separated into regular and particular countries, based on their maps within the museum and their impact of the construction as a whole. The degrees alternate between individual and dual tallness infinites as they progress through the vertical of the edifice. Classical sculpturers such as Bernini and Brancusi knew the importance of the base, they were Masterss of this, one time once more the base has been utilized in this museum, making positions, foregrounding without blinding and concentrating the visitant ‘s attending where it is needed. Not merely have pedestals been used but with the employment the semi handbill inclines which hug the exterior boundaries of the edifice, positions have been produced, supplying new, interesting and invigorating positions of the exhibitions. Sing the foliage shaped, semi handbill, exhibition infinites from a battalion of highs as you descend through the edifice generates a series of bird's-eye overviews. Vi sitors see the exhibits from higher, lower, closer and more distant position points. No sing angle is of all time rather the same, and the normal caput on viewed attack is avoided, there is a sense that you will ne'er capture every position throughout the circuit, that the edifice is invariably altering, writhing about and beyond you, that you as the visitant ne'er rather to the full understand where you are within the edifice. Together the base, bird's-eye screening infinites and invariably writhing signifiers create a new particular complexness within the signifier of a museum. Never before has something been exhibited like this before. There is a changeless feel of motion within the exhibits and the signifier of the edifice. The museum â€Å" attempts to put the inactive in gesture † says one German architectural critic, â€Å" as if it wants to turn out that the architecture is still alive † , it has been said to research gesture in all of its possible looks. The w hole Acts of the Apostless as an gas pedal for the different, unpredictable and erstwhile inexplicable infinites presented to the visitant. The unfastened program has been achieved through the ability to convey perpendicular tonss to the cardinal distribution nucleuss via the floor slabs with the facade systems transporting limited perpendicular burden. The floor slabs within the exhibition countries cover an country of about 30m without intermediate structural columns, made possible through the usage of parametric modeling and advanced structural computation. In add-on to the existent exhibit weights and unrecorded tonss such as visitants to the museum the floor slabs besides have to reassign a important sum of the horizontal burden from the distorted exterior structural system to the immense cardinal tri column nucleus of the edifice. The floors little curvature and slope aid to make a truly dynamic infinite around the autos aswell as making the structural support for the edifice. The floor creases, becomes the wall before turn uping once more to go the ceiling. UN studios most recent plants have been described as associating to and remembering ways in which Baroque designers worked and diagrammed their work. Van Berkel, co laminitis of UN studio, amused by the comparing says † I have been truly fascinated by Bernini and Borromini. Not merely in their edifices but by their unbelievable ability to project their subject into inquiry with advanced representation techniques † . These techniques are imperative in the agencies of bridging the spread between the abstract of idea and the pragmatism of edifice building, they become indispensable when get downing to grok how a construction may work and how edifice may run. They open new skylines and give architecture a holistic dimension, a agency of making volu mes that respond straight to undertaking demands. As an ultimate statement: The Mercedes Benz Museum by UN studio could non hold been created without the aid and research offered by Designtoproduction and their parametric work. There was limited clip to plan what can merely be described as one of the most complicated constructions in modern clip, and so, over two hundred and 40 six different companies and technology houses were employed to assist with the production of the Mercedes Benz Museum. Designtoproduction were able to supply solutions to the spreads between dividing design and production. This was imperative as these stairss are interconnected, they extremely influence each other and with so many different squads working on the undertaking, strong design and production links were needed. Parametric design proved to be the key to the edifices success in this respect. â€Å" The lone solution was to command the geometry of the edifice every bit wholly as possible utilizing the latest computing machine engineering † Ben van Berkel, UN Studio ‘s carbon monoxide laminitis and manager. The entwining signifiers of the Mercedes Benz Museum meant that the signifiers could hardly be described utilizing standard programs and subdivisions, yet contractors needed working programs, subdivisions and inside informations to build the edifice. From the basic geometry of 2D parametric modeling, the borders were transformed in to constantly lifting 3D signifiers by layering degrees ; finally the 3D volumes of the construction began to lift from the layering of programs. For different edifice constituents the geometry was straight taken from the theoretical account, therefore shuting the concatenation of information from early design phases until the building and fiction. For illustration, the formwork for double curved surfaces was accurately developed into field boards taken from information in the parametric theoretical account. Interior designers do n't believe in Numberss, they think in relationships, in connexions, in the whole. CAD bundles do non believe in dealingss, they think strictly in Numberss, they do non care for relationships or what they represent within the signifier or design of edifice. The parametric CAD theoretical accounts that Designtoproduction produced combined these Numberss behind the developing edifice in a set of a parametric quantities, ordering what would work and what would non ; therefore 1000s of Numberss become simply a smattering of meaningful parametric quantities. The parametric theoretical account for the Mercedes Benz Museum was non lone portion of the design but key to the building. It linked the take parting trades in the edifice in a harmonic whole with the designer moving one time once more as the maestro craftsman at the helm, supervising the building as a whole. Unlike those who use digital architecture simply for aesthetic qualities, UN studios have gone beyond an yone else in the agencies of imaginatively pull offing a edifice through a design with a mathematical parametric theoretical account, without compromising the initial design rules, cramping the design with formal or preconceived solutions. The Guardians architecture critic Jonathan Glancy has described the edifice as â€Å" jet-age Baroque † . The usage of parametric design tools, the designer had been able to plan and make a edifice which seems as though it is a merchandise of or closely linked with the Mercedes Benz trade name. It screams motion, engineering, the hereafter, and the impossible. If you think about this edifice in any other sense, an exhibitioner of modern art, an exhibitioner of any other signifier of specialist aggregation or historical artifact it merely would non work. The edifice would look to be genuinely intentionally tailored to the client and intent, that of exhibiting the greatest plants of Mercedes Benz, with this, the museum is already seen by many as one of the individual most amazing edifices of the new century.

Down's Syndrome Children Require Unique Intervention Strategies For Essay

Down's Syndrome Children Require Unique Intervention Strategies For Them To Progress In Education And Socially - Essay Example The disorder manifest themselves in both neuro-developmental and neuro-psychological arenas but the simplest observation remains that it causes developmental delays which can range from mild to moderate learning disability to severe mental disability. (Deliz, 2008) Down syndrome is a chromosomal disorder which occurs in approximately 1 in 1000 births. Chromosome 21's presence in the affected, which contains 225 genes which contribute to the phenotype and pathogenesis of Down syndrome is referred to as the main cause of this distinct neurobiological, genetic, psychological, developmental and medical disorder. (Hattori, 2000) It is recognized that a very high proportion of brain anatomy and verbal intelligence is governed by genetic control. These findings greatly influence the study of Down Syndrome patients, their genes and their resulting speech, memory, language and other cognitive functions. (Capone, 2004). Research has also shown that children. affected by Down syndrome have decl ining Developmental and Intellectual quotients and thus have deficits in verbal and linguistic skills. Patients may also possess weak sequential auditory memory skills but they remain more adept at visual-spatial based memory tasks (Varnhagen, 1987) . Researchers have concluded that early intervention programmes benefit the socially adaptive function but do little to improve the cognitive function or IQ. (Gibson, 1988). There is no uniform cognitive benefit of early intervention if specific learning and intervention strategies are not used. There are multiple reasons provided for these findings. They include complex neuro-behavourial syndromes which often means that the intervention method chosen for learning is not working at its prime and increasing the frequency or the intensity of the same method will not provide results. Rather there is a need for different intervention strategies specific to their needs. (Gibson D. , 1991) This means that early intervention of the right kind a t the right time is required for a positive cognitive difference. A common example of this phenomenon can be observed when a child does not achieve spoken language skills and phonological competence despite attaining cognitive skills and other language comprehension skills which support complex skills. (Kumin, 2000)These are a sign the verbal intervention means have failed and calls for intervention strategies based on vision-based communication. This vision based communication uses signs and pictures to lead to symbol-based language development. It should however be remembered that increasing the intensity of phonology based therapies is also frequently met with poor results. Another visible delayed or aberrant function in Down syndrome is the pervasive developmental disorder. Children might suffer from developmental regression or social, communication or behavourial impairment. These children then require prompt referrals for medical and neuro-developmental assessment leading to t he establishment of a vision based system of communication. The normal assumption regarding early intervention plans for Down syndrome children is that they are extremely beneficial. In fact most of these early intervention programs are mandated by the state and are provided free of cost. This directly results in a Down syndrome child receiving physical therapy and early education in the first year of his life. (Capone, 2004) Occupational and speech therapy often follow the course in the second year of life. Parents and therapists often assume that the purpose of this early intervention is to speed the pace of development and the role of this early in

Database protection Essay Example | Topics and Well Written Essays - 500 words

Database protection - Essay Example Compilations of data or other material, whether in machine readable or other form, which by reason of the selection or arrangement of their contents constitute intellectual creations shall be protected as such (â€Å"Agreement on Trade-Related.†). The petition filed to the WTO is basically a court hearing, with a judge, lawyers, plaintiff, and defendant. The only difference is that not all of the players in this court case are Americans, but from various countries belonging to the WTO. Whatever the judge decides, the defendant’s country, or America in this case, is left to uphold. If it was proven that the database had been accessed illegally and copies distributed, then America would enforce the penalty, ranging from prison to restitution. Most of the time restitution is the scenario. Let it be noted that only twenty-five cases of intellectual property theft has been petitioned to the WTO (â€Å"Agreement on Trade-Related.†). Another means for the database owner would be to file suit either in American federal or state court where the defendant is from. America has copyright laws for intellectual property. Because of the WTO, every WTO member must have current laws protecting intellectual property, America is no exception. By suing through the American justice system, the database owner could have an injunction placed on the product from the database immediately. American laws would also punish the hacker, if they were found guilty, by restitution or jail time. The two options above all depend on the database owner and where they live. If from a developed country like Russia or one of the European states, it is very likely justice will be done and their database will be protected. However, if from an underdeveloped country, like Cambodia or an African state the database owner will lose their property. One because their country does not have the existing WTO treaty or their country already has sanctions. Two the database owner would not have the

Reputation and talent Essay Example | Topics and Well Written Essays - 500 words - 1

Reputation and talent - Essay Example The most important sustainable issue therefore to be discussed and explore is that of the reputation and talent management. Issues related with the labor, overtimes, low pays and unhygienic working conditions are some of the issues which constantly spring up in the media regarding Foxconn and which is ultimately hurting the reputation of our clients also. Apple has been focus of the controversy due to Foxconn. To successfully deal with this issue and to ensure that such negative publicity do not occur again, it is to be ensured that a systematic and thorough understanding of the Foxconn’s working environment will be conducted. Since Foxconn works in a particular cultural environment also therefore the emphasis would be placed upon helping the world to understand the actual cultural context within which Foxconn operates and how it is going to address all the related issues. In order to overcome the situation, a complete stakeholders’ analysis will be made to address the issue. Most important stakeholders will be taken into consideration and their views and concerns will be addressed. Especially those of Foxconn’s clients which operate into West and are subject to strict regulatory and ethical challenges regarding their operations and supply chain will be taken into consideration also. After discussions and thorough systematic study of the factors contributing towards the negative reputation of the firm, strategies will be recommended. Based upon the factors identified and the overall requirements of the stakeholders, a through change management plan will be implemented to overcome the management weaknesses and other related issues which are contributing towards this. After successful implementation of the plan, it is expected that the numbers of complaints in this regard will be reduced. Further, the employees will be

Research Case 3 - Operating Segments Essay Example | Topics and Well Written Essays - 250 words

Research Case 3 - Operating Segments - Essay Example North America and Eurasia/Africa segments accounted for the highest revenue growth registering increases of 36% and 23% respectively. The two leading segments in profit margins were Europe and Latin America with 67% and 62% profit margins respectively. In 2010, the most important segments for GE were Technology Infrastructure and GE capital as they accounted for 26% and 31% of the total revenue respectively. NBC universal and Home & Business solutions recorded the highest revenue growth of 9% and 2% increases respectively. Energy infrastructure and Technology Infrastructure were the most profitable segments recording 20% and 17% profit margins respectively. In 2010, the two most important segments for Oxford Industries were Tommy Bahama and Lanier Clothes as they accounted for 66% and 17% of the total revenue. Tommy Bahama and Corporate/Other segments had the highest changes increase in revenue with growths of 10% and 64% respectively. Tommy Bahama and Lanier Clothes were the most profitable segments with 13% and 14% profit

Computer Use and Copyright Policies and Regulations Research Paper

Computer Use and Copyright Policies and Regulations - Research Paper Example Every single organization, educational institutes and businesses using computers has introduced certain policies and regulatory measures to keep the computer usage under control. The computer usage policy ideally defines certain goals and principals of the organization with respect to the computer systems. The basic principles that the policies are based upon are essentially the beliefs of the organisation like ethics, morality, values and philosophy. Generally every organization has a written set of rules also known as the Acceptable Usage Policy (AUP). These form a core part of the information technology security procedures and define what a user must do or not. It also in clear and concise manner defines the penalties that might be implemented if a user does not comply with the rules. Regular audits within the organizations ensure the compliance of the AUPs. The most important segment in every AUP is the code of conduct that regulates and controls the behaviour of a user while at work. It defines how one should conduct oneself while using the internet, permissible languages, prevent activities that might cause harm to the organization or any colleague, and ensure that there is complete data security and privacy. (Office of Information Technology, 2010). The AUP also defines the consequences that one might face incase the policies are violated or not adhered to. Non-compliance to the policies can lead to termination, suspension, or dismissal from educational institutes. There is another important factor apart from the computer usage policy that is relevant to most organizations and educational institutes; that being the copyright policy. Copyright is defined as exclusive rights granted by the Government to the creator or builder of something original and unique. (Quarterman, 1986). It prohibits anyone else from copying, imitating or using the contents for any other purpose, other than for what it was created or conceived. Organizations and institutes using co mputer technology incorporate the copyright policy as well to protect their work, study material, thesis etc. It is the user’s responsibility to ensure that they comply with the copyright laws and restrictions while using resources on the internet, journals or accessing databases. The copyright policy prohibits users from making copies of copyrighted material or software, non-compliance of which can lead to fatal outcomes. Both policies are equally important in any organization or educational institutes to maintain sanctity of work and data privacy, while permitting the employees and students to perform their duties properly. Institutes incorporating Computer Usage Policy American University (AU) established at Washington in the early 18th century remains a prestigious university. Moving along with changing time and period, it has ensured it remained in sync with the modern technologies and along with everything else, has incorporated the computer usage policy. The policy res tricts individuals from accessing any account, file or software that they don’t have the authorization for. All staff and students are given network access privileges, with unique access codes, that allow them to access all resources like the library, research materials, systems, networks and registered software’